2022 update to Picasso’s Guernica. Monument to American 4th Armored Division Liberators of German Death Camp Ohrdruf in 1945; Elbe Meeting; femi-nazi pin (circa 1934); Saint Tsar Nicholas II icon. (Photo C.5)
2022 Guernica recapitulation encomium antecedent, and pre WWIII answer to Man’s Inhumanity to: MEN WOMEN LGBTQIA+ BABIES ELDERLY HANDICAPTED ALL CREATURES THE EARTH SISTER SUN BROTHER MOON

(“Angelitos Negros” sung in “Diego Rivera Murals”) photo-C.5
2022 Guernica recapitulation encomium antecedent, and pre WWIII answer to Man’s Inhumanity to: MEN WOMEN LGBTQIA+ BABIES ELDERLY HANDICAPTED ALL CREATURES THE EARTH SISTER SUN BROTHER MOON

The Feminize German women spread propaganda about “Women’s Empowerment” for the NAZI party which is what badge word frauenschaft in German means. It’s an interesting historical group which has been removed from the consciousness of the American public like the Meeting at the Elbe displayed on another mural image. The U.S. Government to avoid 2022 marking 77 years since defeat of Nazi Germany, symbolized by “Z “, canceled the 2022 ELBE DAY Arlington National Cemetary Commemoration dishonoring American soldiers (405,300) killed for that cause for which they gave the last full measure of devotion. In this detail, like Zorro, defender of the meek, the weak and the poor, the artist carved a Fiery Z with his blade (brush) through the Feminazi medal. The Cambridgénica Triptych has rehabilitated the last letter of the alphabet “Z “. History will not absolve US politicians who make war against military WWII dead. (Photo – Comandante Punto Cinco)


His famous quote under the icon is “There is no justice among men”. As a saint he can be an intermediary between Christians or of any belief and God. Images like this Icon on the Triptych among others, make Cambridge Ma. the World’s First Spiritual Sanctuary City. Eastern Orthodox Rite visitors to the Triptych have done the Sign of the Cross, (a variation of Roman Catholic version) when seeing this Icon. This panel of the mural system unlike Picasso’s Guernica presents not only: Horror of man’s inhumanity to man, but also liberation, victory, indeed, transcendentalism in perhaps the purist form.

Likewise, these two Flags has been flown under many political regimes including dictatorship. The Lithuanian tricolor waved alongside the NAZI flag from 1941 to 1945 during that occupation of Lithuania. However, its personal ideological significance to the Lithuanian Diaspora since its adoption on April 25, 1918, 27 years before the Elbe Meeting, transcends the political spectrum from communist, socialist, social democrat through hyper-nationalist, fascist. The stain of crimes against humanity that occurred under both flags needs public debate, if possible, rehabilitation as most flags should represent honorable values of a people, not the values of political regimes no matter how well intentioned in their particular ideological mythology.


Is a painter with a specialization in Murals.
A Columbian, he holds a Master Degree in Art from the University of Atlantico, located in the capital of the State of Atlantico, Columbia. His thesis, a book, was on an investigation of art between 1900 and 1970.
His teachers, Guillermo Ardila and Igiñio Caro were his major influences.
Throughout his 6-year art program at Atlantico University the artist worked teaching young women at the public school, Escuela de Senoritas de Barranquilla with a student body of 500.
One of his murals using the classic fresco technique of Michelangelo can been seen in the rotunda of the Museo de Belles Artes in Barranquilla, Columbia.
He immigrated to the United States to attend his mother. He has been employed teaching children from age four and up in Cambridge Massachusetts since 1995.
He accepted the project, Cambridgénica, and it was completed at the end of the summer. The artist is aware that his work faces destruction perhaps within a year because of the need for the six inches of dirt that the center of the three panels stretch across by officials of an Urban Renewal Agency, CHA, and the City of Cambridge. But although ephemeral with the threat of bulldozers soon destroying this mural’s cultural intent, Montes chose to take on the civic duty to make a powerful spiritual statement with his talents.
As Cambridge poet Longfellow noted: “Art is long, and time is fleeting”.

Alejandro Montes

Wanna Talk to Us ?
Contact Us Now
























































