Soon to be Destroyed by the City of Cambridge, Massachusetts

CAMBRIDGÉNICA TRIPTYCH

2022 update to Picasso’s Guernica. Monument to American 4th Armored Division Liberators of German Death Camp Ohrdruf in 1945; Elbe Meeting; femi-nazi pin (circa 1934); Saint Tsar Nicholas II icon. (Photo C.5)

Cambridge Latin Americans don’t let THEM erase your children’s roots and history. When stripped of these, your family identity varnishes from their souls.

PAX CULTURA April 15, 1935
For the United States: VP Henry A. Wallace
Argentine Republic, Bolivia, Brazil, Chile, Colombia, Costa Rica, Cuba, Dominican Republic, Ecuador, El Salvador, Guatemala, Haiti, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Uruguay, Venezuela

Cambridge Has already spent in legal fees $1,000,000. to destroy murals claiming on public property owned by Ecuadorans.
City sold public land to private LLC kept 10% fee simple Why? Corruption.

SEEKING LATIN AMERICAN SUPPORT


Latin American Nation signatories to the Roerich Peace Pact are being contacted to save Cambridgénica from Cambridge City destruction of Columbian Artist murals

2022 Guernica recapitulation encomium antecedent, and pre WWIII answer to Man’s Inhumanity to: MEN WOMEN LGBTQIA+ BABIES ELDERLY HANDICAPTED ALL CREATURES THE EARTH SISTER SUN BROTHER MOON

“Angelitos Negros” outsiders in the Massachusetts State House on Beacon Hill. The quote from Shakespeare’s “King Lear” needs no explanation. The State House is a white tribal bureaucracy.
(“Angelitos Negros” sung in “Diego Rivera Murals”) photo-C.5

2022 Guernica recapitulation encomium antecedent, and pre WWIII answer to Man’s Inhumanity to: MEN WOMEN LGBTQIA+ BABIES ELDERLY HANDICAPTED ALL CREATURES THE EARTH SISTER SUN BROTHER MOON

The triangle with the peace symbol and National Socialist swastika (the Germans did not call themselves Nazi) was worn by members of the N.S. women’s League of 2 million members founded in 1931 and dissolved in 1945 symbolized by their defeat in World War II, Europe theatre, (commemorated by the Elbe Meeting monument Arlington National Cemetary & monumentalized in this mural). These original Frauenschaft Feminazi predate the contemporary term first used in 1989. The Peace Sign was created by reversing the sign on the Nazi medal in the 1950’s in by a British artist for the now defunct cause of N.D. Nuclear Disarmament…not so hard a stunt ‘ay?

The Feminize German women spread propaganda about “Women’s Empowerment” for the NAZI party which is what badge word frauenschaft in German means. It’s an interesting historical group which has been removed from the consciousness of the American public like the Meeting at the Elbe displayed on another mural image. The U.S. Government to avoid 2022 marking 77 years since defeat of Nazi Germany, symbolized by “Z “, canceled the 2022 ELBE DAY Arlington National Cemetary Commemoration dishonoring American soldiers (405,300) killed for that cause for which they gave the last full measure of devotion. In this detail, like Zorro, defender of the meek, the weak and the poor, the artist carved a Fiery Z with his blade (brush) through the Feminazi medal. The Cambridgénica Triptych has rehabilitated the last letter of the alphabet “Z “. History will not absolve US politicians who make war against military WWII dead. (Photo – Comandante Punto Cinco)
The Virgin of Guadalupe next to the sign of the Banner of Peace terminates Cambridgénica Triptych The Virgin faces the Holocaust scene on the first panel that recapitulates Picasso’s Guernica statement about the horror of man’s inhumanity to man, but also provides via the Virgin of Guadalupe a Transcendental solution, answers the Guernica question, as in music/art theory: fragen und antworten or antecedent and Consequence. The Cambridgénica Triptych is the artistic consequence the 21st century recognition of necessity artistic response to Guernica. The Triptych is thus Monument to the spiritual cause: WORLD PEACE, symbolized by the ROERICH PACT FOR PEACE Symbol. Its location designates Cambridge Massachusetts the first SPIRITUAL SANCTUARY CITY if such an abstraction is conceivable. Therefore, this Monumental Art provides another first for the city of Thoreau, Emerson and Margaret Fuller! The Virgin serene, observes Ohrdruf holocaust camp’s horrors when first discovered by warrior liberators of the U.S. Army 4th Armored Division Reconnaissance whose unit had no official name but was called Ubiquitous and No Name Necessary “No Name Necessary”. What is different about this rendition of the Virgin is that she is unveiled as the Hidden God. In Spanish: Diosa Escondita. It is understood that the two males, God the Father, and Jesus and the holy ghost portrayed as a tongue of fire or dove represent the trinity and are in Christian Theology known as the revealed God of the gospels. Theologians like 4th century Augustine , 16th century Luther, Calvin, John Knox whose Puritan followers established Massachusetts, based concepts of predetermination on unrevealed Deus Absconditus. Video gamers understand this as the hidden Boss, or the “Force” from the Star Wars movies developed for the story by Anthropologist Joseph Campbell. In the Triptych designating Cambridge Massachusetts, the first Spiritual Sanctuary City in the World, the hidden God is a woman. This may not be acceptable to those who can’t imagine a woman being the “Force”, or Hidden God, but this is the intent of this culminating image in the Triptych narrative. Aside the Virgin is her promise, much like that which Martin Luther taught: “Christ said this is my son I give to you (plural), Jesus does not lie, therefore, you (plural) are saved. Here the Virgin announce this salvation (in Spanish) Maria says this is my son I give to you, Maria does not lie, therefore you have salvation. The male dominated religions will of course condemn this as heresy, yet if one thinks this through, prays on it, it makes perfect sense theologically. This is the mural system’s powerful, inspired sign that defines the Cambridgénica Triptych as a monument for the CAMBRIDGE SPIRITUAL SANCTUARY CITY
Juxtaposed to the right of the Feminazi badge is the Icon of Saint Tsar Nicholas II. He and his family were murdered by the Bolsheviks in 1918.
His famous quote under the icon is “There is no justice among men”. As a saint he can be an intermediary between Christians or of any belief and God. Images like this Icon on the Triptych among others, make Cambridge Ma. the World’s First Spiritual Sanctuary City. Eastern Orthodox Rite visitors to the Triptych have done the Sign of the Cross, (a variation of Roman Catholic version) when seeing this Icon. This panel of the mural system unlike Picasso’s Guernica presents not only: Horror of man’s inhumanity to man, but also liberation, victory, indeed, transcendentalism in perhaps the purist form.
Triptych Detail: This image represents the Rehabilitation of the Symbol “Z”, and 2 flags of peoples tragically stained by atrocities under historical period regimes. The symbol/letter Z is banned in certain European Nations perhaps because it has been used to distinguish between similar tanks being used in what is a proxy, arguably civil war like Vietnam in Europe. it represents 77 years since the defeat of NAZI in WWII, memory of that War has diametrical meanings for both sides. This painting detail clarifies the significance behind this present controversy through an American ‘lens’ where Z signifies the Elbe River Meeting 77 years ago in 2022 between Soviet and American troops on April 25th 1945, when the American Army 4th Armored Division (liberator theme in the first mural) was at Elbe represented by two warriors, one the Red Army Lithuanian Soviet soldier, the other, a Lithuanian American 4th Armored soldier at the Elbe lighting cigarettes. The Z symbolizes two 7s one upside down. There are still many families on all sides who remember this historic moment which has been sanitized from memory by Western MSM. The Elbe Meeting, 77 years ago, symbolized as Z is now erased from the American History Canon by those who rewrite written history for propaganda purposes. This is obvious from the media reporting of WWII vets during the scandal of the Covid Veteran Hospitals in 2020 where veteran deaths in Massachusetts attributable to institutional neglect of public health protocol is already being settled with millions of dollar State payout to families of the WWII victims. Tragically, due to the new DeFacto Cold War, these vets’ heroic experiences for freedom were/are erased from media reports. Instead, Mainstream Media focuses, like a 1984 Big Brother creep on American Civil War monuments even Christopher Columbus often distorting primary & secondary source history to make war on the dead thus diverting attention from living historical event witnesses to American involvement in: WWII, Korean War, Vietnam War (My Lai), Iraq War (Abu Ghraib), destruction of Libya & Afghanistan, Central American War (1979-1992). America has buried alive its Veterans of Foreign Wars – BURRIED MIRRORS.
Likewise, these two Flags has been flown under many political regimes including dictatorship. The Lithuanian tricolor waved alongside the NAZI flag from 1941 to 1945 during that occupation of Lithuania. However, its personal ideological significance to the Lithuanian Diaspora since its adoption on April 25, 1918, 27 years before the Elbe Meeting, transcends the political spectrum from communist, socialist, social democrat through hyper-nationalist, fascist. The stain of crimes against humanity that occurred under both flags needs public debate, if possible, rehabilitation as most flags should represent honorable values of a people, not the values of political regimes no matter how well intentioned in their particular ideological mythology.
The intersection of two panels of Cambridgénica create a transcendental moment. There is below symbolic protective crosses representing the protective Hill of Crosses in Lithuania, the masked face of Subcomandante Marcos, insurgent leader of the Zapatista indigenous movement in Chiapas Mexico. He has his iconic ski mask and pipe. The centerpiece is the Monument to the Middle of the Earth in Ecuador. This is significant as the Cambridge Murals will be soon destroyed because agents of the state, CHA and City are intent to get their 6 inches of dirt on property owned for 40 years by Ecuadorians based on new high-tech surveys. The Cambridge Housing Authority has already spent over $700,000. dollars trying to destroy an Hispanic family 40 year ownership and tax payments. There are clear signs of corruption at the top of the CHA administration. There is a curious parallel in the attack on the Hispanic family and these murals to the Hollywood Movie: “The Mission” which shows Portuguese slavers greedily attacking a Catholic South American Spanish Mission (where slavery was outlawed) serving indigenous people because as with the new tech property survey where the murals are, a similar new tech survey changed the Treaty between Portugal and Spain that divided the New World discovered by Columbus. The Treaty of Tordesillas of 1494 resulted in subsequent treaties such as the Treaty of Madrid in 1750 based on new survey technologies and other issues, slavery which existed in Brazil until 1888 was violently imposed on the Mission Indigenous population as the movie dramatized. The Movie is an approximation of the types of violence that occurred when Spain had de jure abolished Slavery in Spanish colonies since 1537 Papal Bull Sublimis Deus which was championed by conquistador turned Dominican priest, historian Bartholomew de Las Casas and by the state when King Charles I of Spain (Holy Roman Emperor Charles V) in 1542, imposed: “Leyes Nuevas”, New Laws against enslavement in the Spanish Colonies Mexico and Peru. Of course, slavery never DeFacto ended, ever hear of Wage Slaves and other forms of humiliating servitude? In 1891 Pope Leo XIII issued the encyclical Rerum Novarum which said the oppressed have a human right to rise up and fight back against oppressors which the murals certainly are doing against phony Public Servant bullies here in Cambridge, MA. At the top of the Monument to the Middle of the Earth is the Egyptian hieroglyph Eye of Horus. It is protective. At the Boston Museum of Fine Arts is a wood case that housed a painted sarcophagus with mummy. The eye of Horus is painted on the wood case allowed the mummy to look out into the world of the living through this eye. At the base of the Monument are face of Mexican President Benito Juráez and American Supreme Court Justice Clarence Thomas. Juárez was zapotec, an indigenous native American born into extreme poverty. and Thomas is of African descent and was also extremely poor as a child. They represent men who were born into profound poverty, became educated and then powerful in their respective cultures. Both men are detested by stereotypical Liberals, Leftists, Progressives in their respective homelands because both individuals as Henry David Thoreau said in Walden: “Walk to the Beat of a Different Drum.” They are counterpoint to the stereotypes Mass Ideologies impose on People of Color for political control. Both men intended to become Catholic priests. Both men created Public Service destinies. Both Thomas and Juarez are at the foundation of the Mitad del Mundo monument in the murals. 0 degrees North, 0 degrees East, Latitude 0. These symbolic images present Transcendental messages for post-democratic America where the future was yesterday! 
artist Alejhandro Montes
Is a painter with a specialization in Murals.
A Columbian, he holds a Master Degree in Art from the University of Atlantico, located in the capital of the State of Atlantico, Columbia. His thesis, a book, was on an investigation of art between 1900 and 1970.
His teachers, Guillermo Ardila and Igiñio Caro were his major influences.
Throughout his 6-year art program at Atlantico University the artist worked teaching young women at the public school, Escuela de Senoritas de Barranquilla with a student body of 500.
One of his murals using the classic fresco technique of Michelangelo can been seen in the rotunda of the Museo de Belles Artes in Barranquilla, Columbia.
He immigrated to the United States to attend his mother. He has been employed teaching children from age four and up in Cambridge Massachusetts since 1995.
He accepted the project, Cambridgénica, and it was completed at the end of the summer. The artist is aware that his work faces destruction perhaps within a year because of the need for the six inches of dirt that the center of the three panels stretch across by officials of an Urban Renewal Agency, CHA, and the City of Cambridge. But although ephemeral with the threat of bulldozers soon destroying this mural’s cultural intent, Montes chose to take on the civic duty to make a powerful spiritual statement with his talents.
As Cambridge poet Longfellow noted: “Art is long, and time is fleeting”.

Alejandro Montes

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In defiance of bullies the artist instilled Lithuania’s Hill of Crosses magical warfare arsenal of curses on workers who destroy the Cambridgénica Triptych. Soviet men who bulldozed the hill of crosses in Lithuanian all had miserable endings. This video shows the muralist drawing the energy from the church in South Boston which has been under attack for decades by speculators trying to grab the land and buildings. The symbolic crosses appear above the murals.

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Legal Documents CHA vs Hispanic Family being prepared